Asart is the home of modern paintings and sculpture from China and South East Asia and artwork by native Australian artists.modern south east asian art in london and london modern south east asian art investment gallery London modern south east asian art investment With more than 30 years of experience, tertiary qualifications in Fine Art, extensive networks of both artists and international dealers, and consecrated to developing for his clients “groups rather than accumulations” of artwork, our director Anthony Smith can offer an uncommon amount of experience, judgement and connoisseurship.
modern south east asian art and website about modern asian art investment London contemporary south east asian art gallery
Asian states may not share the exact same culture, faith or political climate, but their rising economic importance on the world stage has found the development of contemporary art markets in the region that only a few years past would have been inconceivable.
Two decades ago, Asian artists had to travel to the West to find freedom of expression and unfettered imagination, but due to accelerated economical liberalisation and increasing social mobility in the area nowadays, nations like China and India have established their own thriving art arenas and are now important players in the global market place. But China and India are just the most visible manifestation of a more prevalent flowering of the arts across Asia. Southeast Asian art, which for the past decade has been slowly gathering momentum, is ready to make a breakthrough on the world stage. Dramatic displays of Southeast Asian artwork are frequently showcased in Paris, New York, and London by leading museums like the Guggenheim and Tate Modern, while the successful engagement of Singapore at the Venice Biennale in recent years and the ground-breaking presentation of current Indonesian art at Art Stage Singapore in 2013, are evidence of an unprecedented level of interest and fascination encompassing modern Southeast Asia art.
Contemporary art is an international ‘language’, which assumes as its starting point a complete rejection of prescribed orthodoxies that are ideological or aesthetic. Contemporary art, which in its character is international and cosmopolitan, supports the idea of artwork that is free from nationalist programs. However, current Southeast Asian art certainly will not exist in a vacuum - it can never be entirely divorced from the cultural and political circumstances in which it is made. Nor should it be; history illustrates that all times and artists have an important vital part to play in the life and politics of a country. This, nevertheless, shouldn’t be viewed as a divisive issue when it comes to the promotion of Southeast Asian artwork as a regional phenomenon. Instead of see Southeast Asia as fragmented into several independent and competing art pictures, artists in the area would be better served if they were understood to be coming from a portion of the world that is exceptionally rich in contemporary creativity, and which might even become the next trend-setter in the international art scene. Imagine the Venice Biennale with a Southeast Asian pavilion presenting the best and most stunning of the area; how fulfilling that would be and how amazing!
This deficiency of infrastructure isn’t something which should hold the region back. Singapore’s geography, united with its economic and political stability and its classy, cosmopolitan society, make it a natural choice as the art centre in the area.